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		<title>What is the role of the Kirtan leader, spiritually?</title>
		<link>https://www.badaharidas.com/what-is-the-role-of-the-kirtan-leader-spiritually/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Fri, 20 May 2022 13:31:46 +0000</pubDate>
				<category><![CDATA[Questions and Answers]]></category>
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					<description><![CDATA[Q. Dear Bada Haridas, I led my first kirtan yesterday evening! I was wondering what is the role of the kirtan leader? I know that practically speaking they are playing an instrument and singing the mantra for the group to repeat, but what is their job spiritually? I felt a little bit nervous to take [&#8230;]]]></description>
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					<h1 class="elementor-heading-title elementor-size-default">What is the role of the Kirtan leader, spiritually?</h1>				</div>
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									<p>Q.<br />Dear Bada Haridas,<br />I led my first kirtan yesterday evening! I was wondering what is the role of the kirtan leader? I know that practically speaking they are playing an instrument and singing the mantra for the group to repeat, but what is their job spiritually?</p><p>I felt a little bit nervous to take on the task at first and was wondering if you could share some of your wisdom in that regard. Hare Krishna!</p>								</div>
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											<figcaption class="widget-image-caption wp-caption-text">Srila Prabhupada leading kirtan</figcaption>
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									<p>A.<br />Glad to hear you are leading kirtan. Thank you for asking such a nice question and for taking it so seriously. (Serious doesn’t mean it’s not blissful!)</p><p>We could speak about kirtan for a long time. There’s way more to it than it may seem. Briefly, the kirtan leader’s role is to help people connect with Krishna and you can’t do that if you’re not connected. So really the focus is internal. Try to be present in the moment, hearing attentively, sincerely calling out, asking for service and purification, singing for Krishna’s pleasure, thinking of the Lord, and begging for mercy. Chanting is all about re-establishing our relationship with the Lord.</p><p>As the kirtan leader it is best to be in the mood of serving the devotees. When Krishna is pleased, as Supersoul within their hearts, He pleases them, and that’s how we serve them. It’s not a show, or a performance.</p><p>Srila Prabhupada wrote, “The principle of chanting is to glorify the Lord and not to attract a crowd. If Krishna hears nicely then He will ask some sincere devotee to gather in such a place.” Letter to Subala, November 12, 1967.</p><p>Another important thing to remember is that a good kirtan happens by the mercy of the Holy Name alone. We can’t “make it happen.” We can sincerely call out (like a child crying for it’s mother) but it’s up to Him if He will appear or remain hidden. We have to try our best to serve, but we’re completely dependent on His mercy. So kirtan is a dynamic process of experiencing Krishna’s reciprocation in different ways. It’s never the same twice. It’s a discovery process.</p><p>Still, the more we actually love Krishna, the more He will want to come to us during kirtan.</p><p>One practical point: Try to sing melodies that are fairly easy for people to repeat. At the same time, try to make it musically pleasing and appropriate for the crowd and the circumstance.</p><p>Hope this helps. Thank you again. All the best. Hare Krsna!</p><p>Your servant,<br />Bada Haridas</p>								</div>
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		<title>When Krishna hides</title>
		<link>https://www.badaharidas.com/when-krishna-hides/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Fri, 20 May 2022 13:20:00 +0000</pubDate>
				<category><![CDATA[Questions and Answers]]></category>
		<guid isPermaLink="false">https://badaharidas.com/?p=1168</guid>

					<description><![CDATA[Q. You were saying we can call out to the Lord and sometimes He can make Himself known, whereas at other times He may remain hidden. What were some experiences you have had in situations like these? Krishna and Balarama hiding from Mother Yasoda Radhe Shyam Alachua Krishna Hiding from the Gopis A. Krishna is [&#8230;]]]></description>
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					<h1 class="elementor-heading-title elementor-size-default">When Krishna hides</h1>				</div>
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									<p>Q.<br />You were saying we can call out to the Lord and sometimes He can make Himself known, whereas at other times He may remain hidden. What were some experiences you have had in situations like these?</p>								</div>
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									<p>A.<br />Krishna is present in His Name. He is there when we are chanting. Sometimes when we chant, by His mercy, we really feel His presence. We know He is there and the kirtan becomes very wonderful. I experience this in different ways, never quite the same. The Lord in His deity form, Srila Prabhupada, or other spiritual personalities, appear in the mind. Sometimes spiritual feelings arise.</p><p>Although Krishna is always there, sometimes we don’t feel His presence. He keeps Himself hidden, and I feel like a stone and the chanting seems empty. Krishna does this so that we will examine our heart and, with greater humility and sincerity, call out to Him. It’s not automatic or mechanical bliss, there is a reciprocation going on. Somehow, we need to chant and hear. But that is our time to be with Krishna and we need to be aware of what is happening in our relationship with the Lord.</p><p>If this seems like too much work sometimes, you can always go back to the basic instruction of chanting and hearing, and bringing the mind back to being present with each mantra. This is the basic instruction Srila Prabhupada gives and we don’t have to over think this. Chant with the tongue and hear with the ears. But it is natural that, as the mind settles down and you become absorbed in chanting, devotional feelings come.</p><p>Your servant,<br />Bada Haridas</p>								</div>
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		<title>Chanting from the heart</title>
		<link>https://www.badaharidas.com/chanting-from-the-heart/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Fri, 20 May 2022 13:04:18 +0000</pubDate>
				<category><![CDATA[Questions and Answers]]></category>
		<guid isPermaLink="false">https://badaharidas.com/?p=1144</guid>

					<description><![CDATA[Q. Your response was extremely encouraging, enthusing and refreshing to hear. Especially the part about it being an arrangement to learn to chant from the heart. With renewed vigor and patience I am going to try to do this. Meditation on the Holy Name of Krishna A. Thank you. I’m glad it was helpful. One [&#8230;]]]></description>
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					<h1 class="elementor-heading-title elementor-size-default">Chanting from the heart</h1>				</div>
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									<p>Q.<br />Your response was extremely encouraging, enthusing and refreshing to hear. Especially the part about it being an arrangement to learn to chant from the heart. With renewed vigor and patience I am going to try to do this.</p><p> </p>								</div>
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											<figcaption class="widget-image-caption wp-caption-text">Meditation on the Holy Name of Krishna</figcaption>
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									<p>A.<br />Thank you. I’m glad it was helpful.<br />One other thing I wanted to share from my experience:<br />Sometimes my consciousness is in my head and my chanting: moving the tongue, vocal cords, etc., all gets linked involuntarily together in an unconscious way. Hearing doesn’t really happen then and it can also strain the vocal cords.</p><p>I’ve had to become aware of this at japa retreats. Chanting 64 rounds and then leading kirtan. I have had to find ways to preserve my weak vocal chords. With a little awareness, the consciousness can be brought back into the heart. Chanting from there, as spirit soul, is completely different from mental chanting. In that place, I can chant, call out and hear, whether I’m making sound with my mouth or not. Also, with a little practice it’s possible to articulate the words of the mantra without using the vocal chords, or using them in a very relaxed way. This takes some practice and awareness. The main thing, of course, is bringing the consciousness into the heart. I hope this makes sense. I thought it would be helpful in your present circumstance.</p><p>I found the seminar by Sacinandana Maharaja to be very uplifting and also to the point for what you were asking. Maharaja has been a great inspiration for me in my chanting. I’ve gone through, and continue to go through ups and downs in my chanting and his kind words, encouragement, and realized knowledge always help me get back to the essence of things.</p><p>Thank you again for your sincere desire to chant purely. I’m always happy to hear how things are going.<br />Wishing you all the best on your auspicious journey,</p><p>Your servant,<br />Bada Haridas</p>								</div>
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		<title>Japa meditation — beyond the physical body and mind</title>
		<link>https://www.badaharidas.com/japa-meditation-beyond-the-physical-body-and-mind/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Fri, 20 May 2022 08:43:56 +0000</pubDate>
				<category><![CDATA[Questions and Answers]]></category>
		<guid isPermaLink="false">https://badaharidas.com/?p=1111</guid>

					<description><![CDATA[Q. Dear Bada Haridas, You may remember I emailed you regarding the japa workshop and you sent me some wonderful prayers that were also very helpful. After watching the workshop, trying to apply all the principles and making japa the central focus of my day I have to say my japa was revolutionized for about [&#8230;]]]></description>
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									<p>Q.<br />Dear Bada Haridas,<br />You may remember I emailed you regarding the japa workshop and you sent me some wonderful prayers that were also very helpful.</p><p>After watching the workshop, trying to apply all the principles and making japa the central focus of my day I have to say my japa was revolutionized for about one year. (I had been chanting for four years previously to this.) I genuinely felt a deep connection with the holy name, trying to serve but after that something seemed to go. I was not only losing taste but falling back into bad habits of bad chanting. I know I had not been offending devotees in person but I was sure I was offending them in the mind and I thought this may be a clear link.</p><p>I tried to stop this but for some reason even then my japa would not improve to the same level once again.<br />I did not feel that it was a relationship anymore but once again just a process or robotic practice.</p><p>What has followed is that recently I had to have an operation and I am not allowed to speak for an extended period of time. I have been listening to Srila Prabhupada chant and chanting along with him in my mind but this is tough. Even while chanting in my mind my vocal chords move and this is detrimental to the recovery.</p><p>I wanted to seek your guidance on this matter. Both as to why my japa went bad and how to improve. Also please advise me how to chant when I physically can’t.</p><p>Anything you share will be of great value as I would love to improve my japa once again. Please feel free to be open and honest.</p>								</div>
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									<p>A.<br />Thank you for such sincere and honest questions. I really appreciate your desire to have a genuine relationship with Krishna. That’s not an ordinary thing. You are certainly going through a hard time now, but you should be encouraged that you had a nice taste for chanting, feeling a real connection, and you don’t want to go back to something less. That’s a good thing.</p><p>A few things come to mind. Of course, as you mentioned there is always the possibility of offenses to devotees and we should be very conscious about our attitude. But, assuming that’s not the issue, we always have to remember that the feeling of connection in chanting is Krishna’s reciprocation. We try our best to be attentive, prayerful and so on, but ultimately it is up to Krishna if and how He reciprocates with us.</p><p>Srila Rupa Goswami explains that the Lord is always there, but He may keep himself hidden. The devotee, not feeling His presence then “laments bitterly.” This is for our purification. As Sacinandana Swami says, “We have to be prepared to go through the desert of dry chanting. This forces us to examine our heart.”<br />Sometimes, we think we are doing something to make it happen, but it’s up to Krishna and we have to go on without expectation. He will reciprocate in His own time. After all it’s His job to purify our heart. We can’t actually do that on our own. We can only take shelter.</p><p>I think your situation of not being able to speak must be a special arrangement to teach you something very special about the Holy Name. Actually the Name is chanted not by the tongue, but by the soul within the heart. Only secondarily by the tongue. You can bring your consciousness into your heart and chant as pure spirit soul from there.</p>								</div>
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		<title>Krishna, the Great Enchanter</title>
		<link>https://www.badaharidas.com/krishna-the-great-enchanter/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Fri, 20 May 2022 08:31:26 +0000</pubDate>
				<category><![CDATA[Questions and Answers]]></category>
		<guid isPermaLink="false">https://badaharidas.com/?p=1097</guid>

					<description><![CDATA[Thank you for your blessings. Yes, I can personally attest to the unending stream of distractions. I was quite surprised when you said: “But we can develop some taste for chanting when we feel that chanting is our chance to escape the mundane mind and have the association of Radha and Krishna on the spiritual [&#8230;]]]></description>
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					<h1 class="elementor-heading-title elementor-size-default">Krishna, the Great Enchanter</h1>				</div>
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									<p>Thank you for your blessings. Yes, I can personally attest to the unending stream of distractions. I was quite surprised when you said:</p><p><em>“But we can develop some taste for chanting when we feel that chanting is our chance to escape the mundane mind and have the association of Radha and Krishna on the spiritual platform.”</em></p><p>I had never considered viewing focused <em>japa</em> as a way to escape my racing mind.</p><p>Thank you for the reminder on the importance of reading Prabhupada’s books. Fortunately I’ve been reading some every day, even if just one page. I hope to increase the amount as time goes on. Currently I’m going through the Srimad Bhagavatam. I found a really sweet verse yesterday which I’ve shared below. I hope you’ll find it relevant given your current service which undoubtedly can be quite exhausting and take a lot of effort on your part.</p><p>I’m happy to hear your health is good and that you are soaking in so much of the great opportunity you are experiencing. Safe travels!</p>								</div>
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									<h5><em>Srimad Bhagavatam</em>: 3.8.27</h5><p>Translation:<br />He also acknowledged the service of the devotees and vanquished their distress by His beautiful smile. The reflection of His face, decorated with earrings, was so pleasing because it dazzled with the rays from His lips and the beauty of His nose and eyebrows.</p><p>Purport:<br />Devotional service to the Lord is very much obliging to Him. There are many transcendentalists in different fields of spiritual activities, but devotional service to the Lord is unique. Devotees do not ask anything from the Lord in exchange for their service. Even the most desirable liberation is refused by devotees, although offered by the Lord. Thus the Lord becomes a kind of debtor to the devotees, and He can only try to repay the devotees’ service with His ever-enchanting smile. The devotees are ever satisfied by the smiling face of the Lord, and they become enlivened. And by seeing the devotees so enlivened, the Lord Himself is further satisfied. So there is continuous transcendental competition between the Lord and His devotees by such reciprocation of service and acknowledgement.</p>								</div>
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		<title>Appreciate the Opportunity before you</title>
		<link>https://www.badaharidas.com/appreciate-the-opportunity-before-you/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Fri, 20 May 2022 08:16:57 +0000</pubDate>
				<category><![CDATA[Questions and Answers]]></category>
		<guid isPermaLink="false">https://badaharidas.com/?p=1089</guid>

					<description><![CDATA[Dear Bada Haridas, Thank you for such a thoughtful, well laid out and helpful email. I really appreciate how much effort you put into your response. Today I had the day off and was home alone so I decided to give things a try. I read through your email again and noted the key points. [&#8230;]]]></description>
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									<p>Dear Bada Haridas,</p><p>Thank you for such a thoughtful, well laid out and helpful email. I really appreciate how much effort you put into your response.</p><p>Today I had the day off and was home alone so I decided to give things a try. I read through your email again and noted the key points. There was a gem in every paragraph.</p><p>I managed to chant all of my rounds straight, from start to finish! I don’t remember the last time I did them all in one sitting. The first half were quite attentive and refreshing, really trying to focus on the points you made. I started to get a bit distracted and unable to sit still after a while, but I feel it is a great step in the right direction. Thank you for inspiring me to start getting my <em>sadhana</em> back in shape. I really truly hope to one day realize all of the points you made and get a taste for chanting; both in <em>japa</em> and <em>kirtan</em>.</p><p>I hope this meets you in very good health and that all of your traveling and preaching are bringing you great happiness.</p>								</div>
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									<p>A.<br />Thank you. I’m glad it was helpful. I pray that you are able to continue and improve in this way. It’s worth the effort, to say the least. Material nature offers no end of distractions, but if you can develop good <em>japa</em> habits, (ie. consistently bringing the mind back) you can stay on track and over time your desire to chant will grow.</p><p>I have one other suggestion. Hearing from Srila Prabhupada, even a little bit every day, can be very powerful if you soak it in. Reading even a paragraph or listening to a class while you have breakfast or drive. Somehow fit in something here and there, it will make your mind stronger – in a good way!</p><p>By Krishna’s grace, my health has been good and I get a lot of inspiration, realization and purification from this service, the devotees I meet, and from Indradyumna Swami’s wonderful association.</p>								</div>
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		<title>Visiting Israel in September, in the midst of turmoil</title>
		<link>https://www.badaharidas.com/visiting-israel-in-september-in-the-midst-of-turmoil/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Sun, 22 Aug 2021 20:11:37 +0000</pubDate>
				<category><![CDATA[Travelling & Kirtan]]></category>
		<guid isPermaLink="false">https://badaharidas.com/?p=679</guid>

					<description><![CDATA[As the conflict in Syria heightened, reports of chemical weapons made international news. Just a week before our scheduled visit, there was some uncertainty whether to go forward with our plans to visit Israel. The USA, UK, Israel and Turkey all looked like they might become involved, willingly or unwillingly, in war with Syria. In [&#8230;]]]></description>
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					<h1 class="elementor-heading-title elementor-size-default">Visiting Israel in September, in the midst of turmoil</h1>				</div>
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									<p><b>As the conflict in Syria heightened, reports of chemical weapons made international news. Just a week before our scheduled visit, there was some uncertainty whether to go forward with our plans to visit Israel. The USA, UK, Israel and Turkey all looked like they might become involved, willingly or unwillingly, in war with Syria. In the airport in Warsaw we had an intense interrogation with armed guards before boarding our flight to Tel Aviv.</b></p><p>We were somewhat doubtful how Krishna devotees would be received in Israel. Informed sources said that, contrary to what one might expect, the people of Israel are very receptive, especially to kirtan. So we took a chance and are glad we did.</p><p>The devotees warmly greeted us at the airport. They took good care of us and made arrangements for harinams, temple and public programs. The people who came to the programs were very enthusiastic to hear the philosophy and chant the Holy names.</p><p>The street kirtans were especially wonderful. People in Israel are naturally receptive. They immediately smile and many come and join the chanting and dancing. They easily accept the prasadam offered by the devotees and happily purchase books on the philosophy of Krsna Consciousness. We were thinking that this must be the harinam capital of the world.</p><p>A special treat was taking a tour of Jerusalem. A unique crossroads of world cultures, this land was host to many ancient cultures and religions. I found it fascinating to trace the history from ancient to modern times. The archaeological sites are nothing short of amazing.</p><p>We’ve had a couple of days to recuperate near the Dead Sea and get ready for the next leg of our travels. Tomorrow is Yom Kippur and it also coincides with Radhastami. About 75 devotees will gather with us to celebrate the divine appearance day of Srimati Radharani.</p><p>Photos credits: HH Indrayumna Swami (www.travelingmonk.com)</p>								</div>
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		<title>JAPA — Our Time to be with Krishna</title>
		<link>https://www.badaharidas.com/japa-our-time-to-be-with-krishna/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Sun, 22 Aug 2021 20:00:06 +0000</pubDate>
				<category><![CDATA[Questions and Answers]]></category>
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					<description><![CDATA[Question Dear Bada Haridas, I’ve been reading your blog posts and I really enjoy the question and answers format and content. I wanted to express my appreciation for your insights, suggestions, lifestyle, kirtan, everything. You are very inspiring to me and I am grateful to have your association. I hope that you come for a [&#8230;]]]></description>
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					<h1 class="elementor-heading-title elementor-size-default">JAPA — Our Time to be with Krishna</h1>				</div>
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									<p><strong>Question</strong></p><p>Dear Bada Haridas,<br />I’ve been reading your blog posts and I really enjoy the question and answers format and content.</p><p>I wanted to express my appreciation for your insights, suggestions, lifestyle, <em>kirtan</em>, everything. You are very inspiring to me and I am grateful to have your association. I hope that you come for a visit soon and that we can do <em>kirtan</em> together.</p><p>My initial intention with this email was to just express my gratitude, but now I have my own question to submit.</p><p>Unfortunately, due to how I’ve structured my lifestyle, <em>japa</em> is not the highest priority and most of my rounds end up being quite inattentive. Are there any tangible steps one can take toward developing a taste for chanting? It’s something I’d love to develop but feel very lost in my attempts.</p><p>Also, when we chant, what is supposed to be going on in our mind? Are we supposed to think of Krishna? Are we supposed to see Krishna’s form in our minds as we chant? Or are we simply supposed to listen to the names again and again? I have a hard time with the latter when trying to get my day’s <em>japa</em> done, because the names go by so quickly. What is the proper way to engage the mind for focused <em>japa</em>?</p>								</div>
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																		Meditation of the Name and Form of Radha and Krishna								</div>
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									<p><strong>Answer</strong></p><p>Hare Krishna. Thank you for your sincere question and your concern to chant better. Definitely our modern lifestyle, work etc., make <em>sadhana</em> difficult. Of course, a real taste for chanting comes at the stage of <em>ruci</em>, after the heart is thoroughly cleansed. But we can develop some taste for chanting when we feel that chanting is our chance to escape the mundane mind and have the association of Radha and Krishna on the spiritual platform. Chanting has to become our time to be with Krishna.</p><p>Krishna is present when we chant, now we have to be present. Usually the mind is busy remembering the past and projecting the future. No possibility of hearing our chanting. We have to bring our mind into the present to hear. One time Giriraj Swami asked Srila Prabhupada, “How should we hear?” and he answered, “As I am speaking. ” When someone is speaking to us, whether in the car or walking or wherever, we usually don’t have a hard time focusing and just hearing them. We come into the present and hear. Why such a hard time to hear our chanting? I think there are several reasons, but one is that it is not a meaningful conversation for us.</p><p>So what to do? I suggest first, at least theoretically, approach your <em>japa</em> time as your time to be with Krishna. Calm the mind by offering prayers and just trying to be present and appreciate the opportunity you have. Be aware of your feelings, whatever they are, and bring them to Krishna. It could be, “Krishna, I’m completely distracted and have no love for You, please help me.” That’s a feeling. It’s not that we become overwhelmed by our feelings, but as we become aware that Krishna is observing us and hearing us chant, we also become aware of ourselves. There is a connection with Krishna and it is meaningful for us.</p><p>My experience is that chanting with sincere feeling helps me be more attentive and feel, at least sometimes, Krishna’s presence. It becomes meaningful for me and is not mechanical. The more we chant attentively, the more the heart is cleansed and we feel uplifted by it. Naturally we want more and more of that.</p><p>As for how to engage our minds when we chant, our <em>acaryas</em> have said that we need to hear. Srila Bhaktisidhanta has said, “As soon as the <em>anartas</em> are removed by chanting the holy names, the form, qualities, and pastimes of the Supreme Lord will automatically manifest. There is no need to artificially try to remember the Lord’s form, qualities, and pastimes.”</p><p>Krishna is present and He will reveal His form, qualities, and pastimes in time. If we are in the present, chanting and hearing with feeling, (Srila Prabhupada said, “like a child crying for his mother”) it is natural that your favorite deities or picture of Krishna will sometimes come in the mind. That is nice even at our present stage and more will come as we are ready. If we are present, it’s not hard to hear (assuming your chanting is a normal speed, like 6-10 minutes a round).</p><p>One other suggestion. I’m assuming your “lifestyle” means you are chanting late in the day when you are already tired and distracted or that you are chanting here and there, without focus. Those are the general difficulties. If you can find a day off or some time once in a week or so when you can just sit and chant all or most of your rounds in a peaceful, pleasant place, without external distraction, that will give you a nice taste. Krishna will reciprocate your effort. Then you will naturally look for ways to improve your daily situation.</p><p>It’s also very nice that you are organizing the <em>kirtan</em> programs. This service to the Holy Name will attract the mercy of the Lord.</p><p>One closing thought: Srila Bhaktisidhanta said, “The holy name and the Supreme Lord are non-different. When our <em>anartas</em> are destroyed, we will understand this fact. <strong>When you start chanting without offense, you will be convinced that all perfection comes from chanting the holy name.</strong>” (This should be a T-shirt)</p><p>I hope this helps. Let me know if it’s not clear or if you have any more questions. Thank you again.</p><p>Your servant,<br />Bada Haridas</p>								</div>
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		<title>Yoga and Peace</title>
		<link>https://www.badaharidas.com/yoga-and-peace/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Sun, 22 Aug 2021 16:34:09 +0000</pubDate>
				<category><![CDATA[Kirtan-Meditations]]></category>
		<guid isPermaLink="false">https://badaharidas.com/?p=644</guid>

					<description><![CDATA[by Steven J. Rosen (Satyaraja Dasa) As a teenager coming of age in the 1960s, I was preoccupied with spirituality. I had become disinterested in the mainstream religion of my forbears, and I was passionately looking for a path that spoke directly to me as an individual. I didn’t want some amorphous, otherworldly transcendence, either [&#8230;]]]></description>
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					<h1 class="elementor-heading-title elementor-size-default">Yoga and Peace</h1>				</div>
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									<p><i>by Steven J. Rosen (Satyaraja Dasa)</i></p><p>As a teenager coming of age in the 1960s, I was preoccupied with spirituality. I had become disinterested in the mainstream religion of my forbears, and I was passionately looking for a path that spoke directly to me as an individual.</p><p>I didn’t want some amorphous, otherworldly transcendence, either — this I knew for certain. Nor did I want mere political activism, which many in my day tied to spirituality in a rather tepid, tenuous way. Instead, I wanted something that truly nurtured my inner world while serving a purpose in the outer one. I wanted an “Engaged Spirituality” that would address the concerns of the day as well as my own personal concerns at the same time.</p><p>Enter Bhakti-yoga. In this clear, easy-to-access system of knowledge, ancient Indic texts reveal a path that has at its basis the principle of yukta-vairagya. In a nutshell, yukta-vairagya is simply this: As opposed to forms of yoga that emphasize renunciation and otherworldliness, Bhakti-yoga stresses the importance of using the accoutrements of this world in a spiritual way. It is not renunciation of action but rather renunciation in action. Everything in the world has a specific purpose, and, when used in that appropriate way, takes on a spiritual quality, making the world a better place and spiritualizing all involved. This is yukta-vairagya, the main principle in Bhakti-yoga.</p><p>This was particularly meaningful in my youth, during the antiwar protests of the late ’60s, for example. His Divine Grace A.C. Bhaktivedanta Swami Prabhupada, my spiritual mentor, was keenly aware of this, and he knew, having brought Bhakti-yoga to western shores just several years earlier, that it would have special relevance for the youth of my day. His “Peace Formula” was an entirely new approach to the antiwar question, and for millions, it provided the perfect solution to an escalating problem that continues to affect us all. And it was based squarely on the principles of Bhakti-yoga.</p><p>Prabhupada quickly engaged his disciples in mimeographing thousands of pamphlets with his “peace formula” philosophy, and he distributed them worldwide. Here is what he had to say:</p><p>“The great mistake of modern civilization is to encroach upon others’ property as though it were one’s own and to thereby create an unnecessary disturbance of the laws of nature. These laws are very strong. No living entity can violate them. Only one who is Krishna conscious can easily overcome the stringency of the laws of nature and thus become happy and peaceful in the world.</p><p>“As a state is protected by the department of law and order, so the state of Universe, of which this earth is only an insignificant fragment, is protected by the laws of nature. This material nature is one of the different potencies of God, who is the ultimate proprietor of everything that be. This earth is, therefore, the property of God, but we, the living entities, especially the so-called civilized human beings, are claiming God’s property as our own, under both an individual and collective false conception. If you want peace, you have to remove this false conception from your mind and from the world. This false claim of proprietorship by the human race on earth is partly or wholly the cause of all disturbances of peace on earth.</p>								</div>
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									<p>“Foolish and so-called civilized men are claiming proprietary rights on the property of God because they have now become godless. You cannot be happy and peaceful in a godless society. In the Bhagavad-gita Lord Krishna says that He is the factual enjoyer of all activities of the living entities, that He is the Supreme Lord of all universes, and that He is the well-wishing friend of all beings. When the people of the world know this as the formula for peace, it is then and there that peace will prevail.</p><p>“Therefore, if you want peace at all, you will have to change your consciousness into Krishna consciousness, both individually and collectively, by the simple process of chanting the holy name of God. This is a standard and recognized process for achieving peace in the world. We therefore recommend that everyone become Krishna conscious by chanting:</p><p>Hare Krishna, Hare Krishna, Krishna Krishna, Hare Hare</p><p>Hare Rama, Hare Rama, Rama Rama, Hare Hare</p><p>“This is practical, simple, and sublime. Four hundred and eighty years ago this formula was introduced in India by Lord Sri Chaitanya, and now it is available in your country. Take to this simple process of chanting as above mentioned, realize your factual position by reading the Bhagavad-gita As It Is, and reestablish your lost relationship with Krishna, God. Peace and prosperity will be the immediate worldwide result.”</p><p>Prabhupada did not mean to be simplistic. He knew that his audience, for the most part, didn’t know about Lord Chaitanya, the father of sacred chanting as a yogic science, who appeared in Bengal, India, 500 years earlier. And he knew that most of them had not read the Bhagavad-gita. But his “Peace Formula,” he hoped, would inspire them to move in that direction -– to learn more about Sri Chaitanya and the deep teachings of the Gita.</p><p>He was also aware that the struggle for peace was multidimensional, and that, if peace were to be achieved, it would take determined effort in many areas, involving environmental, economic, and political concerns. Indeed, he wrote about all of these things extensively. But at the heart of all our woes, he taught, is spiritual bankruptcy. And so he chose to emphasize a peace formula that addresses this fundamental problem above all others. As I see it, if we could gather together in kirtan, sacred chanting, as he describes above, fighting on both large and small scale will become a thing of the past and we will then be well on our way to spirituality and peace.</p><p><i>Bio: Steven J. Rosen (Satyaraja Dasa) is an initiated disciple of His Divine Grace A. C. Bhaktivedanta Swami Prabhupada. He is also founding editor of the Journal of Vaishnava Studies and associate editor for Back to Godhead. He has published twenty-one books in numerous languages, including the recent Essential Hinduism (Rowman &amp; Littlefield, 2008) and The Yoga of Kirtan: Conversations on the Sacred Art of Chanting (FOLK Books, 2008).</i></p>								</div>
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		<title>The Unheard World of Sound</title>
		<link>https://www.badaharidas.com/the-unheard-world-of-sound/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Sun, 22 Aug 2021 16:18:40 +0000</pubDate>
				<category><![CDATA[Kirtan-Meditations]]></category>
		<guid isPermaLink="false">https://badaharidas.com/?p=624</guid>

					<description><![CDATA[Human beings are physically unable to perceive certain portions of the known vibratory spectrum. While extremely sensitive to sound waves of about 1,000 to 4,000 cycles per second (cps), man is all but deaf beyond 20,000 cycles per second. Dogs and cats, on the other hand, can hear up to 60,000 cps, while mice, bats, [&#8230;]]]></description>
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					<h1 class="elementor-heading-title elementor-size-default">The Unheard World of Sound</h1>				</div>
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									<p>Human beings are physically unable to perceive certain portions of the known vibratory spectrum. While extremely sensitive to sound waves of about 1,000 to 4,000 cycles per second (cps),</p><p>man is all but deaf beyond 20,000 cycles per second. Dogs and cats, on the other hand, can hear up to 60,000 cps, while mice, bats, whales, and dolphins can emit and receive sounds well over 100,000 cps. In other words, there are definitely things we just don’t hear. Vedic texts suggest that if this is true of hearing in the material sphere, how much more true must it be of sounds that exist beyond the material world — sounds that we must distinguish ourselves, through spiritual practice, to truly hear.</p><p>Despite our inability to hear certain frequencies — whether material or spiritual — we tend to hear better than we see. This was recognized by psychologist Katharine Le Mee:</p><p>The sense of hearing . . . connects experientially with the heart, and music and sound touch us most directly. We do not resonate so deeply with the visual as with the auditory. This may be explained by the fact that our visual apparatus has a frequency range of slightly less than one octave, from infrared to ultraviolet, whereas our auditory system has a range of about eight octaves, approximately 60 to 16,000 hertz, or number of vibrations per second. We are sensitive to sound frequency as pitch and to light frequency as color. The frequencies of the visual field are much higher than those of the auditory field (by an order of 1010), and, as is well known, the higher the frequencies, the lesser the penetration of a given material. For instance, a piece of cardboard shields us easily from the light, but it takes a thick wall to block out sound, and the lower the pitch the deeper the penetration. We are very sensitive to sound, not just through the ear but through our whole skin, and all our organs are affected by it.1</p><p>Thus, science has shown that our human senses are imperfect and limited, and that there is a world of sensual experience beyond human perception. Vaishnava scriptures confirm these limitations in man’s seeing and hearing and elucidate untold categories of spiritual sound.</p><p><b>Spiritual Sound in the Vedic Literature</b></p><p>Portions of the Vedic literature are almost like textbooks on sound, informing us about an ancient art in which sound was used as a spiritual tool. The same concept is echoed in other cultures. Chronicles from lands as diverse as Egypt and Ireland tell us of a time when vibrations laying at the foundation of our universe were harnessed by spiritual adepts for the benefit of mankind. Like the Bible, which states, “In the beginning was the Word (John 1.1),” Vaishnava scriptures affirm that the entire cosmic creation began with sound: “By His utterance came the universe.” (Brihad Aranyaka Upanishad I.2.4) The Vedas add that ultimate liberation comes from sound as well (anavrittih shabdat).</p><p>Primal sound is referred to as Shabda Brahman — God as word. Closely related to this is the concept of Nada Brahman — God as sound. Nada, a Sanskrit word literally meaning “sound,” is related to the term nadi, denoting the stream of consciousness — a concept that goes back to the Rig Veda, the most ancient of the Vedas. Thus, the relationship between sound and consciousness has long been recorded in India’s ancient literature. Vedic texts, again, describe sound as the preeminent means for attaining higher, spiritual consciousness.</p><p>Mantras, or sacred sounds, are used to pierce through sensual, mental and intellectual levels of existence — all lower strata of consciousness — for the purpose of purification and spiritual enlightenment. The sounds of different letters, particularly Sanskrit letters, have been shown to affect the mind, intellect, and auditory nerves of those who chant and hear them. The seven energy centers (chakras) of the spinal column, as well as the ida, pingala, and sushumna nadis, or the three pranic channels of the subtle body, all respond to mantras, bringing practitioners to elevated levels of awareness.</p><p>A recently constructed device called a “tonoscope” graphically demonstrates the power of Sanskrit syllables to evoke forms in a physical medium. The tonoscope is a tube suspended over a thin membrane and covered by a layer of fine dust. When sounds are broadcast through the tube, corresponding designs form in the dust that can tell us something about the initial sound that went through the tube. While most sounds produce random, ill-defined images, the vibration of Sanskrit syllables produces quite a different result. When Sanskrit mantras are repeated at the proper pitch, for example, a perfect circle forms, and out of that a yantra, or a traditional geometric image used in worship. These experiments, which are still in their infancy, indicate that Sanskrit mantras embody objective vibratory energies that can act on the environment. If the sounds of mantras can activate a gross element such as dust, one can only imagine the power such vibrations might have on human consciousness.</p><p><b>The Power of God’s Names</b></p><p>The spiritual sounds most lauded in Vedic texts are the names of God. These sounds are said to have ultimate powers unlike any other sound vibration in or beyond the universe. Vaishnava texts state that in much the same way that one could awaken a person who is sleeping, by making a sound or calling out his name, man can awaken from his conditioned, materialistic slumber by calling out the name of God. In fact, the world’s major religious traditions concur that it is by chanting the name of God that one attains enlightenment and freedom from the cycle of birth and death.</p><p>Mohammed counseled, “Glorify the name of your Lord, the most high.” (Koran 87.2); Saint Paul said, “Everyone who calls upon the name of the Lord will be saved.” (Romans 10.13); Buddha declared, “All who sincerely call upon my name will come to me after death, and I will take them to paradise.” (Vows of Amida Buddha 18); King David preached, “From the rising of the sun to its setting, the name of the Lord is to be praised.” (Psalms 113.3); and the Vaishnava scriptures repeatedly assert: “Chant the holy name, chant the holy name, chant the holy name of the Lord. In this age of quarrel there is no other way, no other way, no other way to attain spiritual enlightenment.” (Brihad-naradiya Purana 3.8.126).</p><p>Praise of the holy name of God is found throughout the literature of the Vaishnavas. Here are some examples:</p><p>“Oh, how glorious are they whose tongues are chanting Your holy name! Even if originally low-born dog-eaters, they are to be considered worshipable. To have reached the point of chanting the Lord’s name, they must have executed various austerities and Vedic sacrifices and achieved all the good qualities of true Aryans. If they are chanting Your holy name, they must have bathed in all holy rivers, studied the Vedas and fulfilled all prescribed duties.” (Shrimad Bhagavatam 3.33.7)</p><p> </p>								</div>
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									<p>“The holy name of Krishna is the spiritually blissful giver of all benedictions, for it is Krishna Himself, the reservoir of pleasure. Krishna’s name is complete in itself and is the essential form of all spiritual relationships. It is not a material name under any condition, and it is no less powerful than Krishna Himself. This name is not tinged by any aspect of material nature, because it is identical with Krishna.” (Padma Purana 3.21)</p><p>And, finally, Krishna says,</p><p>I dwell not in the spiritual kingdom,<br />nor in the hearts of yogis;<br />Where my devotees are chanting,<br />there, O Narada, stand I!</p><p>Because chanting the name of God is so much emphasized in Vaishnava texts, practitioners focus on chanting as a central devotional practice. Thus, deep meditation and great emotion accompany japa (the soft chanting), kirtan (the loud chanting), and sankirtan (the congregational chanting). When perfected, the chanting leads to awareness of God’s absolute nature, i.e., that there is no difference between the nami (“the named one”) and nama (“the name”). Elucidation on the absolute nature of Krishna and His name is the heart of Vaishnava mysticism, leading to love of God.</p><p>Norvin Hein, Professor Emeritus at Yale University, has witnessed enthusiastic Vaishnava kirtan, and in writing about it, captures its most emotional components:</p><p>In the singing of verses like these, each line, separately, is incanted by the leader first, and the whole assembly repeats each line after him, one by one. As the verse is gone through again and again, the leader steps up the tempo. When the speed of utterance approaches the utmost possible, the whole group, in unison, begins to shout the lines, at the same time beating out the rhythm with sharply-timed clapping of hands. The singers begin to sway and let themselves go in ungoverned gestures. Faces flush. From the line of instrumental accompanists the bell-like peal of small brass cymbals swells up with the rising shouting and pierces through it. The whole process approaches a crashing, breath-taking crescendo. The point of explosion is reached: eyes flash, mouths drop open, a tremor runs through the entire assembly. The Power, the Presence, has been felt!</p><p><strong>Chanting the “Hare Krishna” Maha-mantra</strong></p><p>The Hare Krishna maha-mantra, or “the great chant for deliverance,” is considered by scripture to be the most powerful of incantations, for it includes the potency of all other mantras.</p><p>The maha-mantra can be expressed in two distinct ways. The most significant and well-known version is: Hare Krishna, Hare Krishna, Krishna Krishna, Hare Hare/ Hare Rama, Hare Rama, Rama Rama, Hare Hare. The medieval Chaitanya-charitamrita (Madhya 25.64), a seminal text for the Hare Krishna movement, provides another version: haraye nama krishna yadavaya namaha/ gopal govinda ram shri madhusudana — “I offer my respectful obeisances unto the Supreme Personality of Godhead, Krishna. He is the descendant of the Yadu dynasty. Let me offer my respectful obeisances unto Gopala, Govinda, Rama, and Shri Madhusudana, for these are all names of the same Supreme Lord.”</p><p>However, it is the chanting of “Hare Krishna, Hare Krishna, Krishna Krishna, Hare Hare/ Hare Rama, Hare Rama, Rama Rama, Hare Hare” that the Vedic literature particularly recommends for the current age. Statements to this effect can be found in the Brahmanda Purana (Uttara-khanda 6.55), the Kalisantarana Upanishad, and in many other Vedic and post-Vedic texts.</p><p><strong>Breaking down this sacred mantra into its component parts</strong>,</p><p>the word “Hare” refers to Lord Hari — a name for Krishna that indicates His ability to remove obstacles from His devotees’ path. In a more esoteric sense, the word “Hare” is a vocative form of “Hara,” which refers to Mother Hara, or Shrimati Radharani, the divine feminine energy — Lord Krishna’s eternal consort and transcendental counterpart.</p><p>“Krishna” means “the all-attractive one,” referring to God in His original form. Etymologically, the word krish indicates the attractive feature of the Lord’s existence, and na means spiritual pleasure. When the verb krish is added to the affix na, it becomes krishna, which means “the absolute person, who gives spiritual pleasure through His all-attractive qualities.” According to Sanskrit semantic derivation (nirukti), it is also understood that na refers to the Lord’s ability to stop the repetition of birth and death. And krish is a synonym for sattartha or “existential totality.” Another way of understanding the word krishna, then, is “that Lord who embodies all of existence and who can help the living entities overcome the repeated suffering of birth and death.”</p><p>“Rama” refers to both Balarama (Krishna’s elder brother) and Lord Ramachandra, a prominent incarnation of the Lord, discussed at length in the epic known as the Ramayana. It is also said, however, that “Rama” refers to Radha Ramana Rama, which is another name for Krishna, meaning “one who brings pleasure to Shrimati Radharani.” Thus the maha-mantra, composed solely of the Lord’s most confidential names, embodies the essence of the divine. As a prayer, the mantra is translated in the following way: “O Lord, O divine energy of the Lord! Please engage me in Your service.” The selflessness of this mantra — asking to serve God rather than asking God to do something for us — situates it in a unique category, even among the best of prayers and the most powerful of incantations. But in its pure form, it can only be heard by the pure devotee — in his “inner ear,” which is in his heart of hearts.</p><p> </p><p><strong>Notes</strong> 1. Katharine Le Mee,Chant (New York: Bell Tower Publishing, 1994), pp. 28-29.2. Norvin Hein, “Caitanya’s Ecstasies and the Theology of the Name,” in Hinduism: New Essays in the History of Religions (Leiden: E.J. Brill, 1976), pp. 22-23.</p><div><p>Bio: Steven J. Rosen (Satyaraja Dasa) is an initiated disciple of His Divine Grace A. C. Bhaktivedanta Swami Prabhupada. He is also founding editor of the Journal of Vaishnava Studies and associate editor for Back to Godhead. He has published twenty-one books in numerous languages, including the recent Essential Hinduism (Rowman &amp; Littlefield, 2008) and the Yoga of Kirtan: Conversations on the Sacred Art of Chanting (FOLK Books, 2008)</p></div>								</div>
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		<title>My Very First Kirtan</title>
		<link>https://www.badaharidas.com/my-very-first-kirtan/</link>
		
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		<pubDate>Sun, 22 Aug 2021 15:21:17 +0000</pubDate>
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					<description><![CDATA[For countless ages, seekers have journeyed to the Ganges, or to similar holy places, to absorb themselves in sacred mantras, hymns that have been passed down for generations. These same seekers would often perform kirtan, celebrating special mantras with song and dance. Much to our good fortune, through the Herculean efforts of His Divine Grace [&#8230;]]]></description>
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					<h1 class="elementor-heading-title elementor-size-default">My Very First Kirtan</h1>				</div>
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									<div class="article_content"><p><strong>For countless ages, seekers have journeyed to the Ganges, or to similar holy places, to absorb themselves in sacred mantras, hymns that have been passed down for generations. These same seekers would often perform kirtan, celebrating special mantras with song and dance. Much to our good fortune, through the Herculean efforts of His Divine Grace A.C. Bhaktivedanta Swami Prabhupada, these mantras have finally come West, and kirtan now contributes to the rhythms of modernity. As a result, an exotic musical movement is emerging worldwide, turning age-old sacred chants into a new cultural phenomenon.</strong></p><p>I remember the first time I heard kirtan. The year was 1972, and though only seventeen years old, I had been around the corner. In fact, I had been around many corners. The late 1960s was a no-holds-barred time of experimentation and change, offering young whippersnappers like me a whirlwind education in music, sex, politics, and drugs. Ours was a generation that reconsidered values and beliefs like few before us. Harsh realities made themselves known: the Cuban missile crisis, the bullets with names Kennedy and King on them, the Vietnam War. But there were good things, too. And a lot of it: the Civil Rights movement was progressing rapidly, and women’s libbers were getting ever closer to liberation. There was Dylan and Davis. Cream and Coltrane. Sly wanted to take us higher, and Jimi actually got us there. Mush-rooms were anything but portabello and the Maharishi was on the cover of Time with the tag-line, “Meditation: The Answer to All Your Problems?”</p><p>The question loomed large, especially as the Beatles went off to India in search of an answer. I, too, had dabbled in Eastern mysticism, though mainly by way of pop culture. To be more precise, I was reading the popular imports of the day: Suzuki and Watts, Isherwood and Mascaro, Castaneda and Gibran. And I was pondering the big questions: “Who am I? Why am I here? Is there a God?”</p><p>But even so, nothing could have prepared me for that group of otherworldly Hare Krishnas — complete with exotic dress, hand-cymbals and double-headed Indian drums — making their presence known near my favorite New York concert hall. I was there to hear loud, raucous rock music, but instead I would hear the sweet call of Krishna’s flute.</p><p>Like rock-n-roll icons from another time and place, these shaven-headed and sari-clad strangers swept through the area, affecting everything around them. Including me. I was mesmerized by their visual image, and more so by the melodic chants. At first they seemed to blend with the horn-honking cars and general cacophony of New York City streets. But then a sharp contrast emerged — an enticing oasis in the desert of my urban landscape. These were clearly American and European youths, peers perhaps, but their bright saffron robes and multi-colored saris spoke to me of something foreign. I read into their mysterious visage: monasticism and psychedelics, serious meditation and joyful romp. Whatever the case, these people were clearly on another platform of existence, coming from a totally different place, representative of an alternate state of consciousness.</p><p>How was I to know that these were Gaudiya Vaishnavas, that — despite their Western bodies — they were the modern-day spiritual inheritors of Sri Chaitanya’s Vedanta? At the time, I had no awareness that “Hinduism” was a misnomer — an umbrella term for the many, diverse religions of India — or that Vaishnavas constituted the Hindu majority. Nor could I know that, 500 years ago, Sri Chaitanya — revered by his followers as a combined manifestation of Radha and Krishna — revolutionized the subcontinent with his method of ecstatic chant, using spiritual vocalization as yoga and developing it into a sophisticated science of ecstasy. How could I know that these were his emissaries, making a public display that would soon change my life?</p></div>								</div>
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									<p>Their sounds were energizing and, for me, somehow strangely familiar. Though I couldn’t understand the words, which, I knew, were either gibberish or some distant, sacred language, their songs spoke to me with an unmistakable message: “Arise sleeping soul! Move beyond the mundane and become situated in transcendence! Don’t delay! The time is now!”</p><p>I was captivated as I watched these surreal, spirited souls position themselves among the hippies and concert-goers on that particular New York evening. They seemed to be in full color while the rest of us were in black and white — a cliché, I know, but true nonetheless. Just then, a large group of about a dozen assumed center-stage, to ensure their presence would be felt. And indeed it was.</p><p>The lead Krishna vocalist deftly vibrated his startling if pleasing melodies, and his battery of robed brothers and sisters responded dynamically, electrically, with each line stimulating a current of bouncy spirituality. Call and response, call and response, over and over in euphoric manner. They went through their hypnotic refrain again and again, methodically speeding up the tempo with each verse. The lead singer clearly knew what he was doing, his confidence brimming as he looked smilingly at his enthusiastic comrades. They, in turn, accommodated him, singing progressively faster, their bodies moving to the thunder-like rhythms of their drums. As they teased each mantra from their leader’s lips, the chanting grew louder and more forceful, until the entire area was overtaken by their performance.</p><p>After a few moments, I fell into it — not that I joined in. Something stopped me. Perhaps it was conditioning, or maybe it was the fear that, allowing myself their ecstasy, I would never find my way back. Whatever it was, and despite the fact that my body showed no hint of it, my mind gradually obscured the alien nature of the spectacle before me; I somehow ousted the idea that it was unusual. Gradually, without warning, it became simpatico, comfortable. I found myself fundamentally enthralled, until I became one with the chant, at least emotionally. The now frenetic singing and dancing seemed like an old friend, a distinct part of me. I felt deep kinship with these harmonious strangers.</p><p>As it went on, their intensity and volume reached dramatic proportions — faces completely flushed, ear-to-ear smiles, eyes rolling. Losing focus, some of them swayed with senseless abandon, while others jumped high, exhibiting blissful glee. Their intoxication seemed to surpass that of the concert-goers around them, and it was obviously more wholesome, triggered, as it was, by natural means and not by drugs.</p><p>I looked at each of them, their absorption complete, their enthusiasm contagious. Going far beyond what I thought would be the climax of their earth-shattering exhibition, the now much appreciated — and somewhat envied — street chanters reached a breathtaking crescendo. And then, suddenly, the chanting stopped, and everyone within ear’s reach was visibly stunned. This was my introduction to kirtan. That was some 35 years ago, but it feels fresh and new, and I still relish a good kirtan today.</p><p>Adapted from Steven J. Rosen, The Yoga of Kirtan: Conversations on the Sacred Art of Chanting (New York: FOLK Books, 2008).</p><div class="article-author-bio"><i>Bio: Steven J. Rosen (Satyaraja Dasa) is an initiated disciple of His Divine Grace A. C. Bhaktivedanta Swami Prabhupada. He is also founding editor of the Journal of Vaishnava Studies and associate editor for Back to Godhead. He has published twenty-one books in numerous languages, including the recent Essential Hinduism (Rowman &amp; Littlefield, 2008) and the Yoga of Kirtan: Conversations on the Sacred Art of Chanting (FOLK Books, 2008).</i></div>								</div>
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		<title>Kirtana Yoga and the Maha-mantra</title>
		<link>https://www.badaharidas.com/kirtana-yoga-and-the-maha-mantra/</link>
		
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		<pubDate>Sun, 22 Aug 2021 15:15:13 +0000</pubDate>
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					<description><![CDATA[The Maha-mantra The Hare Krishna maha-mantra—Hare Krishna, Hare Krishna, Krishna Krishna, Hare Hare/ Hare Rama, Hare Rama, Rama Rama, Hare Hare—is known as the greatest (maha) of all mantras because it contains the potency of all other spiritual sound. Chanting the maha-mantra is thus the most popular and effective form of kirtana. The maha-mantra is [&#8230;]]]></description>
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					<h1 class="elementor-heading-title elementor-size-default">Kirtana Yoga and the Maha-mantra</h1>				</div>
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									<div class="article_content"><p><b>The Maha-mantra</b><br />The Hare Krishna maha-mantra—Hare Krishna, Hare Krishna, Krishna Krishna, Hare Hare/ Hare Rama, Hare Rama, Rama Rama, Hare Hare—is known as the greatest (maha) of all mantras because it contains the potency of all other spiritual sound.</p><p>Chanting the maha-mantra is thus the most popular and effective form of kirtana. The maha-mantra is also considered the greatest chant because unlike other mantras it aims only for service to God. While the chanter of other mantras generally wants some earthly reward—health, daily bread, the protection of loved ones—the chanter of the maha-mantra asks only to be used as God’s instrument, to serve Him in love and devotion without any expectation of return. Srila Prabhupada gives us the following translation: “O Lord, O energy of the Lord, please engage me in Your divine service.”</p><p>Since the maha-mantra is composed solely of the names of God, how does one arrive at this translation? Simply put, the names composing the mantra are in the vocative case, used when petitioning or calling out to someone. So Hare means “O Radha,” as Hare is the vocative form of Hara, a name for Radha, who personifies devotion to Krishna. Since Rama is a name for Krishna, the maha-mantra is a heartfelt petition to Radha-Krishna. What does the chanter of the maha-mantra ask of Radha-Krishna? Only for the privilege of serving Them in pure love.</p><p><b>A Deeper Meaning</b></p><p>The maha-mantra is a prayer with great depth that extends from a simple glorification of the Lord to an urgent request: “Please engage me in Your service.” And yet it goes further still. Great acaryas, pure teachers who have passed down the mantra in disciplic succession, explain it in various deep ways. </p></div>								</div>
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									<p>For example, Dhyanacandra Gosvami, one of Lord Caitanya’s associates, explains it as follows: “Hare Krishna, Hare Krishna”—the first four words of the mantra—refer to Radha and Krishna in union, celebrating Their love together (sambhoga bhava). “Krishna Krishna” signifies Their separation (vipralambha bhava). Radharani is calling, “Krishna! Krishna! Where is My Krishna? Oh, please tell me, where is My Krishna?” In the next two words, Krishna calls out, too: “Hare! Hare! Where is My Radharani?”</p><p>In the first half of the mantra, then, one finds the feelings of union and longing—spiritual emotions that bring intense realization and satisfaction. In the second half of the mantra, the same emotions increase and intensify. Krishna is called Rama because He is the source of all pleasure (rama). He is also called Radha-Ramana, or the joy of Radha.</p><p>“Hare Rama, Hare Rama” means that Krishna is feeling ecstasy in the company of His darling Radharani. The divine lovers, Radha and Krishna, are together again, swimming in the reservoir of pleasure simply by being in each other’s company.</p><p>But then, “Rama Rama.” They’re separated once again. Radha is crying, “Where is that ecstasy I had with Krishna? Where is He?” She calls out His name twice: “Rama! Rama!” And He is also crying: “Hare! Hare! Where is the ecstasy I felt with Radharani? Where is My beloved?” So in both halves of the mantra there is union and separation. And as one advances spiritually, by engaging in kîrtana, one can appreciate these emotions more and more.</p><div class="article-author-bio"><i>Bio: Steven J. Rosen (Satyaraja Dasa) is an initiated disciple of His Divine Grace A. C. Bhaktivedanta Swami Prabhupada. He is also founding editor of the Journal of Vaishnava Studies and associate editor for Back to Godhead. He has published twenty-one books in numerous languages, including the recent Essential Hinduism (Rowman &amp; Littlefield, 2008) and the Yoga of Kirtan: Conversations on the Sacred Art of Chanting (FOLK Books, 2008).</i></div>								</div>
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		<title>Kirtan in the World Religions</title>
		<link>https://www.badaharidas.com/kirtan-in-the-world-religions/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Sun, 22 Aug 2021 14:53:11 +0000</pubDate>
				<category><![CDATA[Kirtan-Meditations]]></category>
		<guid isPermaLink="false">https://badaharidas.com/?p=566</guid>

					<description><![CDATA[Kirtan is the call-and-response form of chanting that characterizes the Hare Krishna movement. It is the fundamental religion of the age – the soul crying out for God as a means to reunite with Him. Robert Gass, author of Chanting: Discovering Spirit in Sound, believes that ritual chanting is among the most universal of human [&#8230;]]]></description>
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					<h1 class="elementor-heading-title elementor-size-default">Kirtan in the World Religions</h1>				</div>
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									<div class="article_content"><p>Kirtan is the call-and-response form of chanting that characterizes the Hare Krishna movement. It is the fundamental religion of the age – the soul crying out for God as a means to reunite with Him.</p><p>Robert Gass, author of Chanting: Discovering Spirit in Sound, believes that ritual chanting is among the most universal of human impulses, as well as one of the first: “We have no recordings of the earliest humans,” he writes, “but when we encounter indigenous tribes who’ve had little contact with modern civilization, they all have sacred chants that their oral history traces back to their earliest origins. And if you look into creation myths from different cultures, in almost every case the world is said to come into being through sound, through chant. It’s in Hinduism, Christianity, Judaism, and Native American religions. That’s evidence, in a way. The other evidence you can look at is young children: Almost all young children make up repetitive songs — they lose themselves in the rapture of singing.”</p><p>In Judaism, the hazzan, or cantor, is a type of kirtaniya, directing all liturgical prayer and chanting in synagogues around the world. If no cantor is available, a less qualified “kirtaniya” is called in—known as the ba’al tefilah. This person then chants the prayers, and the congregation repeats his every utterance, as in a traditional kirtan. The basic practice comes from a principle found in the Bible (Psalms 150.4-5), “Glory ye in His holy name. Praise Him with the timbrel and dance: praise Him with stringed instruments and organs. Praise Him upon the loud cymbals.” If that’s not kirtan, what is? Indeed, one of Judaism’s greatest mystics, the Baal Shem Tov, might be considered the ultimate kirtaniya — his very name means “Master of the Good Name,” and he encouraged his followers: “Chant, chant, chant!”</p><p>Jesus, coming from essentially the same tradition, taught his disciples how to pray: “Our father who art in heaven, hallowed be Thy name.” This was the basis of early Christianity. In his Epistle to the Romans (10.13), St. Paul writes, “For whosoever shall call upon the name of the Lord will be saved.” Baptist choirs and church singers take this mandate to heart, often with marked enthusiasm, embodying the essence of Indian kirtan parties.</p><p>Calling on the name became a formal part of the Roman Catholic Church during the days of Pope Gregory I (circa 540–604 C.E.). Even so, the Gregorian chant is only one of many, with the Christian tradition claiming hundreds of thousands of “mantras” — which are often recited in responsorial fashion, like kirtan. Along similar lines, Christian mystics have given the world the Jesus Prayer — “Lord Jesus, son of God, have mercy on me” — a continuous mantra-like incantation whose practice resembles japa, repetitive rosary chanting, in the mood of Indian sadhus.</p><p>The Muslim Qari are those who professionally recite the Koran. In tone and passion they easily bring to mind kirtan singers. Though demonstrative singing is not generally permitted in mainstream Islam, chanting to Allah is, and it is viewed as a particularly effective form of prayer. In fact, the Qari are kirtaniyas whose chanting is called tajwid — which is Arabic for “vocal music.” The ninety-nine names of Allah, called “the Beautiful Names,” are chanted on beads, inscribed on mosques, and glorified in countless ways.</p><p>In particular, the Sufis, Islamic mystics, seek to evoke God’s presence by uttering His names. This is called “Qawwali,” a form of sacred Islamic vocal music originating in Pakistan and India — it is an art form or ecstatic ritual based on classical Sufi texts. One of its primary functions is to guide its listeners — those who delve deeply into its poetry and meaning — to a state of ecstatic trance (wajd), much like expert kirtaniyas of old.</p><p>In Japan, followers of the Shinto religion engage in ritualistic chants, known as norito, which is their version of kirtan. Buddhist hymns are referred to as shomyo. This is a form of kirtan as well. In India, kirtan is a way of life. Sikhs, for example, view kirtan as central to their religious practice, as any google search on kirtan quickly reveals. Naturally, all forms of Hinduism make use of kirtan, too, and this is true whether we’re talking about South Indian Ramanujites or Gaudiya Vaishnavas in Bengal; Marathi devotees who glorify God as Vitthala, or Devadasis who sing to their beloved Jagannath. Call-and-response chanting is the very basis of religion, and it was developed into a meticulously well-defined system of knowledge in India. It was this science that was inherited by the Hare Krishna movement.</p></div>								</div>
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									<p>Kirtan is the essence of yoga, a word that literally means “linking with God.” It is thus the essence of religion, too, since the root of the word religion is the Latin religio, which also refers to linking with God. According to most of India’s renowned sages, if yoga and religion are about linking with God, kirtan is the best way to facilitate that link. Here’s why. When you sing to someone, you develop intimacy with that person. In fact, such singing presupposes intimacy — you generally sing to those who are near and dear. And the singing brings you closer, too. In this way, kirtan sparks something buried deep within the heart, gradually rekindling memories of an all but lost relationship with the Divine. And it accelerates that relationship, putting you in proximity to God, which, of course, is what yoga and religion are all about.</p><p>In the Bhagavad-gita, one of the world’s foremost yoga texts, Lord Krishna briefly describes, among other practices, Raja-yoga — that is, yoga as we know it today, with breathing exercises, sitting postures, and so on. But Arjuna, the adept to whom Krishna is speaking, finds yogic technique too difficult, and by the end of the Gita’s Sixth Chapter, Krishna accedes to Arjuna’s point, saying that of all yogis, “he who abides in Me [Krishna] with great faith, worshiping Me in transcendental loving service, is most intimately united with Me in yoga and is the highest of all.” Elsewhere in the Gita (9.14), Krishna says that such great souls are always chanting His glories.</p><p>Thus, as already stated, kirtan is the essence of yoga, for by chanting the names of the Divine, one can develop intimacy with Him, which is the ultimate goal of life. Again, chanting can employ Krishna’s original name or any of His hundreds of millions of names, in any language, from any tradition. It should be clear that when devotees of Krishna say “Krishna,” we simply mean God, and God appears in variegated ways, to numerous peoples: Allah, Jehovah, El, Adonoi, and so on. In fact, Krishna has unlimited forms: He mercifully appears in both genders — as Sita-Rama, Radha-Krishna, Lakshmi-Narayana, etc. — and incarnates in various species of life, as Varaha, Matsya, Kurma, Hayagriva, ad infinitum. All these forms are discussed in Vedic texts and in other sacred literature. Ultimately, He incarnates in His holy name, and He comes to us through kirtan.</p><p>Finally, kirtan shouldn’t be intimidating. While there is a great art or science to chanting the Lord’s names, it can be appreciated on a simple level as well. It doesn’t have to be a religious experience. Just by hearing the sound and letting it in, you can take part in the kirtan process. Thoughts about God and the universe can come later, if at all. In the beginning, if you just relish the melody, you begin the process. Anyone can do that. And the results are uplifting, healing, and enlivening. A child can benefit from it, as can an accomplished sage. The kirtan leader feels closer to the Divine while chanting, but so does the audience — and anyone else who hears it.</p><p>As Arjuna noted, yoga and meditation aren’t easy for most people. And that’s where kirtan comes in. Anyone can chant, and the nature of chant is such that it immediately engages the senses, the mind, the heart. Its participatory method pulls you right in, and before you know it, you’re absorbed, concentrating on the divine name like an accomplished yogi. And that’s the point: By allowing the chant to enter your ears and your heart, you are, in a sense, a yogi, without making a conscious endeavor. And while that might only be the beginning, you have, indeed, taken part in the yoga of kirtan.</p><p>Adapted from Steven J. Rosen, The Yoga of Kirtan: Conversations on the Sacred Art of Chanting (New York: FOLK Books, 2008).</p><div class="article-author-bio">Bio: Steven J. Rosen (Satyaraja Dasa) is an initiated disciple of His Divine Grace A. C. Bhaktivedanta Swami Prabhupada. He is also founding editor of the Journal of Vaishnava Studies and associate editor for Back to Godhead. He has published twenty-one books in numerous languages, including the recent Essential Hinduism (Rowman &amp; Littlefield, 2008) and the Yoga of Kirtan: Conversations on the Sacred Art of Chanting (FOLK Books, 2008).</div>								</div>
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		<title>The Sacred Sound</title>
		<link>https://www.badaharidas.com/the-sacred-sound/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Sun, 22 Aug 2021 14:27:24 +0000</pubDate>
				<category><![CDATA[Kirtan-Meditations]]></category>
		<guid isPermaLink="false">https://badaharidas.com/?p=538</guid>

					<description><![CDATA[Kirtana (pronounced keer-ton-uh) is a Sanskrit word that means “praise” or “glory.” The more common Hindi pronunciation is “keer-ton,” dropping the final “a.” Simply understood, it is a form of song that centers on glorifying God, commonly performed in a “call and response” style of singing. There is Nam-kirtan, which are songs composed of God’s [&#8230;]]]></description>
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					<h1 class="elementor-heading-title elementor-size-default">The Sacred Sound</h1>				</div>
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									<div class="article"><div class="article_content"><p><strong>Kirtana</strong> (pronounced keer-ton-uh) is a Sanskrit word that means “praise” or “glory.” The more common Hindi pronunciation is “keer-ton,” dropping the final “a.” Simply understood, it is a form of song that centers on glorifying God, commonly performed in a “call and response” style of singing.</p><p>There is Nam-kirtan, which are songs composed of God’s sacred names, and Lila-kirtan, or songs that celebrate the esoteric activities of the Divine. There is Sankirtan, when the songs of praise are performed in a group setting, and Nagara-Sankirtan, when the group is taken into the streets. And there are numerous variations on these terms and themes. But kirtan, in any form, is ecstatic.</p><p>A closely related idiom is bhajan (bah-jon), prayerful song, which involves an internal, more meditative technique, usually in a sitting position. This is in contrast to kirtan, normally performed while standing, at least, if not dancing. Bhajan literally means “worship” and is often conceived as a more solitary practice, though it is also generally performed in a group, like kirtan. In addition, bhajan is generally softer, whereas kirtan can become quite strident. Various sects and regions in India will attribute different labels to different forms of prayerful song, sometimes defining bhajan as a subcategory of kirtan and vice versa.</p><p>Those particularly adept at such singing are called kirtaniyas (keer-ton-nee-uhs) or kirtan-wallahs (keer-ton-wahl-uhs), and it is wonderful to watch them as they chant God’s names. Usually, traditional, exotic instruments accompany their song and dance. In your average kirtan, you can expect to find a khol—also called a mridanga—which is a double-headed folk drum originating in northeast India. It has a body made of clay or fiberglass, with a small head on the right side (some four inches in diameter), and a larger one on the left (approximately ten inches). A pair of brass hand cymbals, known as kartals, is also a staple in any kirtan performance—the two cymbals, commonly two to five inches in diameter, are tied together by a piece of string or cloth and employed rhythmically, according to the beat of the chant.</p><p>Devotional singers often use harmoniums, too—especially in bhajan. Originally from France, the harmonium is a free-reed wind instrument with a keyboard somewhat akin to a piano or an organ. When it first made its way to India, kirtaniyas eschewed its use for devotional music; it was considered only suitable for low-caste street musicians. But in due course it found a home in the yoga of chant. The ektar—a single-stringed relative of the Western guitar—is also used in kirtan, though not as frequently as the other instruments just described. For those who know its tradition, this instrument brings to mind the paradigmatic female devotee, Mirabai, who, in sixteenth-century India, played the ektar while singing her now famous love-songs to Krishna. Bowed chordophones, such as the sarangi or the esraj—violin-like in nature—are sometimes used as well, as are flutes and tablas, and a background drone might be provided by a tamboura, too. But these are for more elaborate kirtans—the khol, kartals, and harmonium are the standard instruments, along with hand clapping. Contemporary kirtaniyas, it should be noted, tend to engage more modern instrumentation, too, because ideally any form of musical accompaniment can serve kirtan’s purposes.</p><p>In short, kirtan is an uncomplicated and effective way of communing with God. The Padma Purana tells us, “Because the holy name and the ‘holy named’ are nondifferent, the name is fully complete, pure, and eternally liberated. Indeed, it is Krishna Himself.” Philosophically, this idea can be summarized as follows: matter and spirit are opposites. Thus, since in the material world, all things are relative, and part of that relativity manifests in a thing and its name being different, in the spiritual realm, the opposite must be true: a thing and its name are one. This is the nature of the Absolute.</p><p>The implications here are tremendous. If God and His name are the same, by chanting one can get close to Him in every sense of the word. The chanter gets close to Him in terms of proximity, since the name is on his or her lips—and the name, remember, is God. The chanter gets purified by close association and becomes “godly,” cleansed, divinely inspired—thus becoming closer to God in nature. And the chanter gets close to God by achieving the goal of yoga, or linking with Him, through the intimacy of calling His name with love and devotion.</p><p>This is the ultimate effect of kirtan, even if, in the beginning stages, one usually remains blissfully unaware of it. Kirtan does not ask us to achieve the highest level. Instead, it dutifully takes us there, sometimes in spite of ourselves. And at any stage, it is joyfully performed, leading to higher and higher modes of spirituality. It gradually takes us beyond the physical, mental, and intellectual strata of existence and situates us in transcendence. Thus, whether we approach chanting as mere entertainment; as part of a yogic regimen; as a night out; or as a method for getting close to God—we benefit from the practice and move upward toward the Supreme.</p><p><strong>Kirtan Origins</strong></p><p>According to the sages of India, kirtan transcends history: It is “imported from the spiritual realm.” That is, in the highest heaven, one will find God—Krishna, Vishnu, El, Allah, He has innumerable names—glorified with blissful song and dance. Then, as kirtan makes its way to the material world, we find it in humanity’s earliest cultures and civilizations.</p><p>For example, the Vedas and the Upanishads, which are among the world’s oldest religious texts, describe the power of sound in minute detail, elaborating on how certain mantras, when properly recited, reveal Ultimate Reality. Kirtan, then, claims both divine origin and a history traceable to the world’s earliest scriptures.<br />Vaishnavism, whose chief manifestation in the West is known today as the Hare Krishna movement, developed kirtan into a methodical practice, some would say a science, leading to the goal of yoga. With the help of Vaishnava scriptures, such as the Bhagavata Purana and the Bhagavad Gita, adherents came to understand chanting as a highly technical—if also blissful—discipline through which they could expect definite results on the spiritual path.</p><p>Indeed, the scriptures state that for each world age, a specific method of God realization is particularly appropriate: In Satya-yuga, millions of years ago, one attained the Absolute through deep meditation; in Treta-yuga, through opulent sacrifices; in Dvapara-yuga, through Deity (iconic) worship; and in Kali, the current age, through chanting the holy name of the Lord.</p><p>Even the celestial beings mentioned in the Vedic literature want to take part in this celebration of sacred sound. Vishnu Himself, for example, sounds His conch as a call to spiritual awakening, and, in His original form as Krishna, bewitches all living beings with His silky smooth flute playing. Shiva, god of destruction, plays his threatening drum during the dance of cosmic dissolution. The Goddess Sarasvati, too, is always depicted with vina in hand; she is the divine patron of resonance and bestows blessings on all students of God-centered music. Lord Brahma, the husband of Sarasvati, creates musical scales with the mantras of the Sama-Veda, and uses the specific mantra “OM” to create the universe.</p></div></div>								</div>
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									<p>Interestingly, this teaching—that material existence is generated through sound—resonates with the Bible: In the beginning was the Word (John 1:1). Vedic texts state it directly: “By divine utterance the universe came into being.” (Brihadaranyaka Upanishad 1.2.4) These same texts tell us that just as sound had once instigated the original flow of cosmic creation, so, too, does it play a significant role in humankind’s ultimate goal: “Liberation through sound.” This is a catchphrase in the Vedantic tradition. (Vedanta-sutra 4.4.22) Hence: kirtan.</p><p>This is the core practice of Vaishnavas, originating from hoary times and the revelation of the Vedas. Although bhakti (“devotion”), as a principle, is eternal, it took formal shape as a movement in roughly the 6th century CE, with powerful yogis and alluring singer-poets transforming the countryside, conveying truths not only in Sanskrit, drawing on the original Vedas, but in vernacular languages, making full use of new compositions and contemporary song. Most productive were the Shaivite Nayanars and the Vaishnava Alvars, whose devotional poetry might be seen as first steps in the development of modern kirtan. A bhakti movement was in full flower, emphasizing the heart, the essence, rather than rituals and rigid observances.</p><p>Bhakti literature and devotional song spread rapidly, accommodating the growing wave of seekers and spiritual adepts that inundated the land. As a result, four major lineages arose in South India, allowing primeval knowledge to flow north and, eventually, around the world. This was done through commentary and explication, practice and revelation. The four lineages owe a debt of gratitude to the following seers: Ramanuja (1017–1137), the initial systematizer for the Sri Sampradaya; Nimbarka (ca. 1130–1200), of the Kumara Sampradaya; Madhva (1238–1317), who appeared in the Brahma Sampradaya; and Vishnu Swami (dates unknown), who reinvigorated the Rudra Sampradaya, which was then reformulated by Vallabhacharya (1479–1545) as Pushti Marg. Many branches, sub-branches and diverse traditions sprouted from these essential four. The most significant in terms of kirtan would be that of Sri Chaitanya Mahaprabhu (1486–1533), who in many ways was the cap on the Vaishnava tradition. His Gaudiya Sampradaya, an offshoot of the Brahma-Madhva line, inspired all of India with ecstatic song and dance, illuminating the science of kirtan as never before. This was inherited by the Hare Krishna movement, which comes in the lineage of Sri Chaitanya.</p><p>Sophisticated love poetry, systematic theology, and new revelations came from many quarters. Chief among these, perhaps, was the Gita-Govinda, Jayadeva’s twelfth-century Sanskrit work on the love of Radha and Krishna. Mentioning the names of the great kirtaniyas who developed Jayadeva’s theme might appear like a meaningless litany to the layman, but to those who know the tradition, reciting these names is on a par with the most profound kirtan: Sur Das, Tulasi Das, Tukaram, Namdev, Mirabai, Vidyapati, Chandidas, Swami Haridas, Narottam, Bhaktivinode Thakur. And there were countless others who wrote devotional songs on the same subject, elaborating on divine love as found in the spiritual world. The practice of kirtan is forever indebted to them.</p><p><strong>The Maha-Mantra</strong></p><p>The Hare Krishna maha-mantra—Hare Krishna, Hare Krishna, Krishna Krishna, Hare Hare/ Hare Rama, Hare Rama, Rama Rama, Hare Hare—is known as the greatest (maha) of all mantras, because it is said to contain the potency of all other spiritual sound vibrations, at least when properly chanted. It is thus the most popular form of kirtan.</p><p>The mantra is also considered “the greatest chant” because it is totally selfless: Unlike other prayers, in which the chanter asks for something personal, whether it be health, the protection of loved ones, or daily bread, in this mantra one merely asks to be used as God’s instrument, to serve Him in love and devotion, without any expectation of return. Srila prabhupada gives us the following translation: “O Lord! O energy of the Lord! Please engage me in Your divine service!”</p><p>Since it is a mantra composed solely of the names of God, how do India’s sages arrive at this translation? To begin with, the initial word of the mantra forcefully calls out to Radha, the embodiment of devotional energy: “O Radhe! Please engage me in divine service!” One may wonder: If the first word is “Hare,” how is the mantra connected to “Radha”? In fact, “Hare” and “Radha” are one—both names refer to the same Supreme Goddess. But, also, “Hare” is in the vocative, and so the mantra is not merely a passive recitation of Her name. Rather, it beseeches Her, calling out to Mother Hara (Radha) for Her undivided attention. And since She is the embodiment of devotional energy, calling out to Her is, in essence, a prayer passionately asking to be engulfed in that energy—and that with great urgency. The basis of the mantra’s urgency is revealed in the esoteric Gaudiya tradition: Divine service cannot be attained or practiced without recourse to the Goddess, Radha. Thus, the mantra is basically an intense request to be engaged in spiritual service (seva).</p><p>Yet there is another dimension to this mantra’s greatness: According to the ancient, mystical teachings of Gaudiya Vaishnavism, Radha, the feminine Divine, is supreme, in some ways eclipsing even Krishna, the male Godhead, and this is realized through the chanting of the mantra. Overall, the tradition views God as both male and female—which is more inclusive than the usual patriarchal and matriarchal conceptions of divinity. Radha and Krishna are one, but have become two in order to relish spiritual exchange. And yet the lovely Radha surpasses even Him, for He is totally controlled by Her love. The message is clear: Bhakti, devotional love, conquers God by His own divine arrangement. This is a spiritual phenomenon that reveals itself more and more as one becomes adept in the chanting. On a basic level, it can easily be appreciated as follows: Radha and Krishna are a dual-gendered divinity, a beautiful vision of the divine, showing perfect egalitarianism and spiritual harmony.</p><p>If kirtan is the essence of spirituality, this mantra is the essence of the essence. Simply by chanting it, under the guidance of those experienced in its recitation, one can attain the spiritual world.</p><p>___</p><p>Adapted from Steven J. Rosen, The Yoga of Kirtan: Conversations on the Sacred Art of Chanting (New York: FOLK Books, 2008).</p><p><strong>BIO:</strong> Steven J. Rosen (Satyaraja Dasa) is an initiated disciple of His Divine Grace A. C. Bhaktivedanta Swami Prabhupada. He is also founding editor of the <em>Journal of Vaishnava Studies </em>and associate editor for <em>Back to Godhead</em>. He has published twenty-one books in numerous languages, including the recent Essential Hinduism (Rowman &amp; Littlefield, 2008) and the <em>Yoga of Kirtan: Conversations on the Sacred Art of Chanting</em> (FOLK Books, 2008).</p>								</div>
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